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Showing posts with label Classic. Show all posts
Showing posts with label Classic. Show all posts

Wednesday, August 28, 2013

9 classic movies about memory manipulation, and how they inspired real neuroscience

Entertainment TEDx

Memory-Movies

Total Recall, Eternal Sunshine of the Spotless Mind, Inception. In today’s talk, MIT neuroscientists Steve Ramirez and Xu Liu admit that their latest study Steve Ramirez and Xu Liu: A mouse. A laser beam. A manipulated memory.Steve Ramirez and Xu Liu: A mouse. A laser beam. A manipulated memory. — in which they located a specific memory in a mouse’s brain and designed a system to activate and deactivate it at will — might remind people of these movies. And there is a good reason for that: because the experiment was, in part, inspired by them.

“We began touching on these ideas mainly because all of us are huge fans of movies like Inception … For me personally, looking to Hollywood is a great source of questions,” Ramirez said in a recent interview with Fast Company Labs, about the study he describes in this talk. “I feel that Hollywood is a repository of all these fantastic ideas, because nobody in Hollywood is limited.”

In today’s talk, given at TEDxBoston, Ramirez and Liu share more about their motivation for studying memory manipulation. They also walk us through the steps of their research which, after being published in the journal Science, made waves in the international media. First, Liu, Ramirez and their team needed to get creative in order to isolate a single memory in a mouse’s brain. Next, they had to figure out a switch for this memory — and they came up with a method that involves a laser beam. Finally, they experimented with activating the memory, even in the wrong context.

Watch this banter-filled talk for more detail on the process, and to hear the fascinating implications of the research. “I see a world in which we can reactivate any kind of memory that we like. I also see a world where we can erase unwanted memories,” says Ramirez in the talk. “I even see a world where editing memories is something of a reality because we’re living in a time where it’s possible to pluck questions from the tree of science fiction and to ground them in experimental reality.”

Ramirez certainly has a point: Hollywood has long been fixated on the mystery of memory, with a heavy focus on what happens when it’s manipulated. Below, a look at just a selection of movies that deal with twists of memory.

Eternal Sunshine of the Spotless Mind. Writer Charlie Kaufman and director Michel Gondry dreamed up this 2004 indie classic, in which a man (Jim Carey) and woman (Kate Winslet) attempt to erase the memory of their relationship. Ramirez mentions this movie in his Fast Company interview, pointing out a scientific flaw in it. “One thing Eternal Sunshine got wrong was localizing memories. There’s a scene with Elijah Wood, where they’re going into the brain, and [saying] ‘There’s a memory right here, it’s at point A in the brain’, and boom, they delete it. But in reality, memories are distributed throughout the brain,” he says. “There’s the memory of Kate Winslet, and then there’s the awful underlying, visceral feelings that Jim Carey has when he recalls Kate Winslet: the emotional undertones that color in that memory. The emotional undertones and the memory of Kate Winslet itself are largely mediated by separate brain systems. So you can imagine going into the brain, finding the brain cells that represent that dark feeling of a break-up, and inactivating only those.”

Total Recall. In this 1990 classic, a construction worker visits the company “Rekall,” in order to have the memory of a vacation to Mars implanted in his mind. The procedure backfires. Soon, he learns that he is not who he thinks he is at all — but that he’d previously wiped his memory of an entire life on the red planet.

Memento. The 2000 film Memento, directed by Christopher Nolan, is a story told in two directions — both in reverse and chronologically. In it, a man with anterograde amnesia (Guy Pearce) is not able to store new memories, and thus uses tattoos, notes and photos to give himself bits and pieces of his dark, complex reality.

Inception. Ramirez referred to his most recent study as “Project Inception.” Why? Because in this 2010 movie, also from Christopher Nolan, a corporate thief (Leonardo DiCaprio) sets out on what he believes is an impossible mission: to plant an idea in another person’s subconscious through a dream, a thing referred to as “inception.” The movie is both a visual feast and a complete mind workout.

50 First Dates. In this 2004 romantic comedy, a man (Adam Sandler) attempts to woo a woman with memory loss (Drew Barrymore), who after a car accident wakes up every morning thinking it is October 13, 2002. This means that the man has to charm her on repeat, day after day. A light comedy, yes, but still one Ramirez credits for his interest in the science of memory.

The Manchurian Candidate. In this thriller from 1952, the son of a political family is kidnapped during the Korean War along with his platoon. He is brainwashed, and programmed to be an assassin — a killer with no knowledge of what he is doing. Over the course of the movie, his war buddies begin to realize something is amiss, and try to figure out what has happened.

Trance. This psychological thriller, released in the spring, is probably too new to be considered a classic. But we’re including it here regardless because of the themes in the Danny Boyle film. The basic plot: an art auctioneer is part of a plot to steal a painting, but receives a blow to the head that leaves him unable to remember where the painting is. He turns to a hypnotist for help.

The Bourne Identity. Jason Bourne (Matt Damon) is an incredible assassin — fluent in many languages, a great fighter and quick with weapons. Only, he has no memory of why. In this 2002 Doug Liman film that launched a franchise, Bourne tries to discover who he is, while the CIA tries to take him out.

Dark City. Mysterious men in black coats and top hats come in the night to take people’s memories and replace them with new ones, in this neo-noir film from 1998. The atmospheric movie focuses on one man, accused of murder but sure he didn’t do it. Eventually, he discovers that he has the same abilities to manipulate memory as the so-called “Strangers.”


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Friday, January 4, 2013

The top 10 classic fears in literature

By Marianna Torgovnick

It’s the story that inspired Moby Dick.

In 1819, the crewmembers of the whaleship Essex watched in horror as their boat was struck by a sperm whale and began to flood. Forced into small boats with little food or water, they had three options: they could head to the nearest land, the Marquesas Islands, believed to be populated by cannibals; they could make a run for Hawaii and pray to escape the massive storms of the season; or they could attempt to catch a current to take them 1,500 miles to the coast of South America and risk running out of supplies on the way.

As author Karen Thompson Walker shares in today’s talk, given at TEDGlobal 2012, the crew took option three because of the vivid, terrifying images that options one and two brought to life in their minds. After two months at sea, the men ran out of food. Less than half of the crewmembers survived.

“Fear is a kind of unintentional storytelling that we’re all born knowing how to do,” says Walker. “Our fears focus our attention on a question that is as important in life as it is in literature: what will happen next … How we choose to read our fears can have a profound affect on our lives.”

So what do people fear most? The literary record comes through loud and clear, showing many almost universal fears echoed throughout time. The list below begins with the biggest, blockbuster fears and moves to ones that are more time specific and even quaint. Do writers and the characters they create fear the wrong things? Is fear a creative way to healthy outcomes? That, you will have to decide.

Fear #1:  Death, death, death—did I mention death?

An almost universal fear, death recurs in literature more than any other fear, all the way from canonical works through fantasies like J.R.R. Tolkien’s The Lord of the Rings. I list the fear of death three times since it occurs in many forms: fear of our own deaths, fear of family members or close friends dying, fear of children preceding parents, the death of an entire culture.

Some examples: Shakespeare’s Sonnets (“Like as the waves make towards the pebbled shore”; Hamlet  (“To be or not to be”); John Keats (“When I have fears”); Virginia Woolf, The Waves; Pat Barker, The Ghost Road. This list could go on and on, because the fear does.

Fear #2:  Avoiding death for the wrong reasons.

Literature loves paradox and so, paradoxically, the second greatest fear is avoiding death for the wrong reasons: when death will inevitably follow a noble or moral act or out of cowardice, especially in war. For understandable reasons, this fear is less common than more general fear of death, but it is out there and memorable nonetheless.

Some examples: Sophocles, Antigone (to bury her dead brother, Antigone famously courts death); Shakespeare several times — Hamlet again (“There is a providence in the fall of a sparrow”) and Antony and Cleopatra (to avoid capture by Octavius); Charles Dickens, A Tale of Two Cities (“It is a far, far better thing that I do than I have ever done”); Harry Potter in his pursuit of Voldemort.

Fear #3:  Hunger or other severe physical deprivation.

Survival tends to trump the finer emotions when it comes to fear. Sometimes time specific, the fear of hunger nonetheless reminds us of basic things. In romantic novels or poems, it can be and often is a symbol for more abstract needs, like love. In Holocaust literature, it portrays humanity strained to the core.

Some examples: Dante, The Divine Comedy (Count Ugolino and his children); Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (“Water, water, every where, nor any drop to drink”); Charlotte Bronte’s Jane Eyre; Elie Wiesel, Night; Susanne Collins’ The Hunger Games.

Fear #4:  Killing or causing the death of someone you love.

Whether by murder, negligence or a set of circumstances beyond our control, the fear of causing the death of someone we love is a big one. It’s a stock feature of numerous spy and crime dramas, where we tend to brush it off since the hero (think James Bond) or (more rarely) heroine’s beloved is almost always a goner. Numerous operas by Verdi, including Rigoletto and Un Ballo in Maschera use this theme, sometimes more than once; in fact, opera thrives on this fear, as in Bizet’s Carmen. It usually takes serious and even majestic forms in literature.

Some examples:  Patroclus dying for Achilles in Homer’s The Iliad; Othello killing Desdemona in Shakespeare’s Othello; Thomas Hardy, Jude the Obscure (“Done because we are too menny”); D.H. Lawrence’s Women in Love (Gerald choosing to die rather than kill Gudrun); Gillian Flynn’s Gone Girl.

Fear #5: Being rejected and/or being loved by the wrong person.

At last we come to a fear that can have a lighter side and, sometimes — though not always — a happy ending. In literature, characters fear being rejected, being loved, and being loved by the wrong person in almost equal proportions. Once again, the examples span the ancient classics all the way up to the present.

Some examples:  Woman loves step-son madly in three versions of the same story, none with a happy ending (Euripides, Hippolytus; Racine, Phaedra; Mary Renault, The Bull from the Sea); mixed up couples set right in Shakespeare’s As You Like It; love triumphs by the end in Jane Austen, Pride and Prejudice; two different kinds of love lead to tragedy in Hardy, Tess of the D’Urbervilles; mixed results in Jeffrey Eugenides, The Marriage Plot.

Fear #6:  Illness, disease and aging.

Closely allied to the fear of death — but not identical to it — the fear of illness is another constant though, as we’d expect, the disease most feared changes over time. The bubonic plague used to be the leading contender; TB enjoyed a long dominance until cures were found. Nowadays, cancer and, more often, dementia are far greater fears. There is at least one stunning example in this category of embracing the fear being absolutely the right thing to do: Flaubert’s St Julien, L’Hospitalier, in which the saint embraces a leper and achieves transcendence.

Some examples:  Giovanni Boccacio’s Decameron; Daniel Defoe’s Journal of the Plague Year; Oscar Wilde, The Portrait of Dorian Gray; Albert Camus, La Peste (The Plague); Ian McEwan, Atonement; Jonathan Franzen, The Corrections.  

Fear #7:  Lost reputation, divorce or scandal.

People used to fear this one more than they do today, when our motto seems to be that no publicity is really bad publicity and unseemly revelations are the order of the day. Still, this is a significant fear, and one that even recent books revisit in original ways.

Some examples: Sophocles, Oedipus Rex; Leo Tolstoy, Anna Karenina; D.H. Lawrence, Lady Chatterley’s Lover; Thomas Wolfe, The Bonfire of the Vanities; Phillip Roth, The Human Stain.

Fear #8:  War, shipwrecks and other disasters.

The fear of shipwrecks can seem archaic — but they were the airplane crashes of yesteryear. Shipwrecks can be mere episodes or the core of the plot; in early literature, they are closely allied with war, a more global disaster. While other disasters arouse fear — earthquakes, volcanos — war and shipwrecks lead the field. Both change characters’ lives, with variable results.

Some examples:  Homer, The Odyssey; Defoe, Robinson Crusoe; Jonathan Swift, Gulliver’s Travels; Tolstoy, War and Peace; Yann Martel, Life of Pi.

Fear #9:  The law and, more specifically, lawyers.

Fear of the law is a surprisingly classic fear, weighing in at number nine. But what’s meant by the law changes over time. While fear of God’s judgment remains plausible in literature, it is far less common today than fear of society’s laws — and specifically the rapacity of lawyers and the law’s ability, in Dickens’ words, “to make business for itself.” In some modern books, the law becomes a metaphor for the meaning of life.

Some examples:  The Bible; Aeschylus, The Oresteia; Nathaniel Hawthorne, The Scarlet Letter; Dickens, Bleak House; Franz Kafka, The Trial; Arundhati Roy, The God of Small Things

Fear #10:  That real life won’t resemble literature.

While this might seem the most trivial of fears, in fact it drives a lot of great literature. Some characters want life to be elevated, inflated, like epic or romantic literature. Deprived of that illusion, they die or take their own lives—looping us back to fear #1. Other characters favor codes of renunciation that have been called by literary critics “the Great Tradition,” fearing that they will gain something by immoral or amoral actions; a variation on this fear is the fear, as George Eliot’s Dorothea puts it, “I try not to have desires merely for myself.” Not at all light for avid readers, this fear usefully reminds us that life is not really like a Henry James novel.

Some examples:  Miguel de Cervantes, Don Quixote; Gustave Flaubert, Madame Bovary; George Eliot, Middlemarch; Henry James, The Ambassadors; Julian Barnes, The Sense of an Ending.

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Marianna-Torgovnick

Marianna Torgovnick is a Professor of English at Duke University and the director of the Duke in New York Program. Author of the books The War Complex and Gone Primitive, you can read much more of her work at MariannaTorgovnick.com.

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Wednesday, April 13, 2011

Sim City Classic

Sim City ClassicFirst you simulated creating your dream city. Now, experience it. SimCity, the original city simulator, stretched the boundaries of entertainment software. Now one of the best-selling games in the world goes multimedia with Interplay's SimCity Enhanced CD-ROM. A multimedia showcase of video and audio technology. This SimCity lets you see, hear, and feel the action as you design and build the city of your dreams. With full-motion video, digitized speech, and a talented cast of actors, your cities and the SimCitizens that dwell in them come to life. Do well by your people and they'll give you their hearty thanks. Mess up, and you'll watch as natural disasters, crime and poor planning destroy your creation.

Price:


Click here to buy from Amazon

Sunday, February 13, 2011

You Mean I'm Not Lazy, Stupid or Crazy?!: The Classic Self-Help Book for Adults with Attention Deficit Disorder

You Mean I'm Not Lazy, Stupid or Crazy?!: The Classic Self-Help Book for Adults with Attention Deficit DisorderWith over a quarter million copies in print, You Mean I'm Not Lazy, Stupid or Crazy?! is one of the bestselling books on attention deficit disorder (ADD) ever written. There is a great deal of literature about children with ADD. But what do you do if you have ADD and aren't a child anymore? This indispensable reference -- the first of its kind written for adults with ADD by adults with ADD -- focuses on the experiences of adults, offering updated information, practical how-tos and moral support to help readers deal with ADD. It also explains the diagnostic process that distinguishes ADD symptoms from normal lapses in memory, lack of concentration or impulsive behavior. Here's what's new:

  • The new medications and their effectiveness
  • The effects of ADD on human sexuality
  • The differences between male and female ADD -- including falling estrogen levels and its impact on cognitive function
  • The power of meditation
  • How to move forward with coaching

And the book still includes advice about:

  • Achieving balance by analyzing one's strengths and weaknesses
  • Getting along in groups, at work and in intimate and family relationships -- including how to decrease discord and chaos
  • Learning the mechanics and methods for getting organized and improving memory
  • Seeking professional help, including therapy and medication

Price: $17.00


Click here to buy from Amazon

Tuesday, January 25, 2011

Sim City Classic

Sim City ClassicFirst you simulated creating your dream city. Now, experience it. SimCity, the original city simulator, stretched the boundaries of entertainment software. Now one of the best-selling games in the world goes multimedia with Interplay's SimCity Enhanced CD-ROM. A multimedia showcase of video and audio technology. This SimCity lets you see, hear, and feel the action as you design and build the city of your dreams. With full-motion video, digitized speech, and a talented cast of actors, your cities and the SimCitizens that dwell in them come to life. Do well by your people and they'll give you their hearty thanks. Mess up, and you'll watch as natural disasters, crime and poor planning destroy your creation.

Price:


Click here to buy from Amazon